Print details

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Emily Avery Yoshiko Crow
Mango at Night (2026)

Beneath the trees, human and animal forms mingle. Birds have human faces; figures gather among branches and at the water’s edge. The Kalavinka, a human-bird being celebrated for its beautiful voice, recalls Crow’s Buddhist upbringing. Its affinities with creatures from other mythologies suggest a recognition that travels between cultures, even as their stories remain distinct.

This limited-edition archival pigment print by Emily Avery Yoshiko Crow is produced on Hahnemühle Photo Rag® 308 gsm paper.

Each impression is individually numbered and is accompanied by an artist-signed Hahnemühle Certificate of Authenticity with a matching numbered hologram.

© Emily Avery Yoshiko Crow

Medium

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Archival pigment print on Hahnemühle Photo Rag® 308 gsm

Editions

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Limited edition of 25 + 2AP
Printed and published by Tabula Rasa Gallery

Size

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Paper: 40 × 50 cm; 15.75 × 19.69 in
Image: 33.5 × 45 cm; 13.19 × 17.72 in

Certificate

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The certificate confirms that the work described is an authentic limited-edition print by Emily Avery Yoshiko Crow, published by Tabula Rasa Gallery. A matching numbered Hahnemühle hologram is affixed to the reverse of the corresponding print.

Framing

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This print is sold unframed.

Framing Options:
RA Print Frame 40 x 50 cm Oak - £45
Heal's Gallery Frame Oak 40 x 50 cm - £47
East Side Studio Natural Wood Premium Frame - £69

Packaging

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We ship our prints in bespoke packaging. The packaging is specially designed to ensure safe arrival. If you order more than one print, your artworks may be shipped in the same parcel.



Shipping + Taxes

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Please note that this is a pre-sale. Prints will be dispatched between 13 and 20 November 2026; estimated delivery times vary by region. 

Delivery fees and taxes are charged based on your location and the type of work. All orders are dispatched from the UK.

Related Exhibition

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The Sky Takes Root - solo exhibition of Emily Avery Crow

About the Artist

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Emily Avery Yoshiko Crow is an artist born in Boulder, Colorado. She works with watercolour, traditional Nihonga, Japanese mineral pigment, natural sculpture, textiles, animation and film production design. Her art draws from and explores dream, nature, myth, and the unseen in contemporary life.

Crow was raised by her parents following the Shambhala tradition of Tibetan Buddhism. She studied Chinese Traditional Medicine in San Francisco at the ACTCM, and Fine Arts at Naropa University with Joan Anderson and Robert Spellman. After the completion of her formal education, she spent many years living between India, Nepal and Canada. During this period, she studied Indian miniature painting with master painter Mahaveer Swami in Bikaner, and the art of indigo dyeing.

Emily Avery Yoshiko Crow’s work draws upon a myriad of religious and artistic traditions, bringing their iconography into settings that evoke the mythic and the mystical. Her engagement with these traditions is neither academic nor exoticising; instead, it restores an imaginative connection between the image and the religious or mythic. Recent exhibitions include Bangkok, Nepal, U.K., U.A.E., and China.